BIG 
            FRANCE  
            © 2007 Darrell Taylor        All 
            rights reserved. 
          The 
            image above is another digital "collage" of several hundred 
            individual pictures and picture fragments. I spent a couple months 
            constructing it in Photoshop CS2. The original image file weighs in 
            at over a gigabyte--18,000 pixels wide, by 7,800 pixels in height. 
            Printed at 300 dpi, the picture is 60 inches wide. I have reduced the 
            dimensions for web display. 
          I 
            started making these collages in imaging software then available in 
            the early '90s, and my first website in 1995 included several that 
            I had constructed a few pixels at a time. Today's imaging software 
            and storage capacities make working with these much larger images 
            feasible. 
          This 
            picture is devoted to France--my travels and memories. It contains 
            hundreds of "characters"--most actual, some fragments of 
            French works of art--all placed in a "heroic" landscape/citiscape. 
            As with my former large photomontages, there are "secrets" 
            built into the image, most visible only at higher magnification for 
            those with patience to explore. With the exception of a few pictures 
            of me (taken by F.) and the artwork fragments stolen from the artists 
            listed below (which take up less than 1% of the collage), all photos 
            used in this collage were taken by me in France on various trips in 
            the last ten years. 
          If 
            you'd like to play "Where's Waldo?", here's a complete list 
            of the works by French artists that I have pasted into the composition--to 
            give the impression of being able to visit these masterworks as an 
            ordinary part of the passing French scene. I'm often struck while 
            traveling with the fact that France, and the French look like the 
            realist artists' works--works that when young I'd thought were highly 
            imaginative and beautiful distortions. (Same goes for Dutch interiors 
            in Dutch paintings, Venetian skies in Italian paintings, and so on). 
            This allows many of the fragments used to slip "seamlessly" 
            into the collage --though perhaps not Picasso's Demoiselles d'Avignon, 
          etc.! 
          
             
               
                Manet, Déjeuner sur l'herbe 
                Van Gogh, Field with Crows 
                Millet, The Gleaners 
                Van Gogh, L'Église 
                Rodin, Eternal Idol 
                Rousseau, The Dream 
                Picasso, Portrait of a Girl (title?) 
                Van Gogh, Sunflowers 
                David, Death of Marat 
                Manet, The Execution of Maximillian 
                Picasso, The Lovers 
                Matisse, Harmony in Red 
                Balthus, Nude With Arms Raised 
                Picasso, Two Women Running on the Beach 
                Delacroix, Liberty Leading the People 
                Gauguin, Two Tahitian Women on the Beach 
                Manet, Olympia 
                Manet, Fifer 
                Ingres, The Source 
                Ingres, The Turkish Bath 
                Van Gogh, Work Boats (title?) 
                Cézanne, Les Joueurs de Cartes 
                Van Gogh, Self-Portrait 
                Cézanne, The Bather 
                Rodin, L'Age de bronze | 
              Van 
                Gogh, L'Arlésienne 
                Matisse, La Danse 
                Brancusi, The Kiss 
                Picasso, Pierreuse 
                Ingres, Grand Odalisque 
                Matisse, Mme. Matisse: Madras Rouge 
                Dégas, Classe Danse 
                Morisot, Reading 
                Manet, Guitarist 
                Manet, Berthe Morisot with a Bouquet of Violets 
                Picasso, Les Demoiselles d'Avignon 
                David, Napoleon I 
                Balthus, Thérèse rêvant 
                Manet, A Bar at the Folies-Bergère  
                Gauguin, Spirit of the Dead Watching 
                Degas, The Absinthe Drinkers 
                Saint-Phalle, Black Venus 
                Saint-Phalle, Sun God 
                Ingres, Odalisque and Slave 
                Balthus, Alice 
                Cocteau, Self-Portrait 
                Unknown, Poster of B. Bardot 
                Duchamps, Large Glass 
                De Staël, Poster for Beaubourg exhibition | 
             
           
          
            
              Note: 
                The curious inclusion of the photo of Brigitte Bardot in the foreground 
                is due to the fact that the second movie I ever saw in my life 
                was Vadim's "And God Created Woman", 
                starring Bardot (1956). I was 20 years old at the time, and she 
                made the expected erotic impression, while fixing forever in my 
                private mythos an image of France as a sensual paradise 
                of good food and wine, good sex, beautiful people, and personal 
                freedom. I had sneaked away from my college dorm to Indianapolis 
                to indulge my curiosity anonymously. I should also acknowledge 
                the work of Escher, who gave me the idea of constructing the "impossible" 
                architecture of the left-side ruins. 
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          Copyright 
            © 2007   -   Darrell Taylor 
             
           
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